Eyck composed these six Fantasias specifically for the 12” vinyl LP format, a practice reminiscent of early-60s Nonesuch releases. All performances were recorded in full takes with no editing. American Contemporary Music Ensemble (ACME) tracked Eyck’s scores first, and then Eyck overdubbed her deft, fluid, single-take improvisations—thus the fitting title Fantasias. The result is an organic virtuosity that leads the listener through a wide range of sonic environments across the six pieces.
Eyck’s striking theremin performances on Fantasias showcase her dead-aim intonation, her command of microtonality, her fluid melodicism, and—perhaps most importantly—her utter lack of self-consciousness as an improvisor. This latter quality is no accident, as Eyck has practiced improvisation for years, and has even studied techniques typically aimed at athletes for entering flow-states and shutting down critical inner dialogue.
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